



This concert hall is designed by Santiago Calatrava, which is known for such landmarks as the City of Arts (Valencia), the Montjuic Communications Tower (Barcelona) and BCE Place (Toronto). The auditorium is located on the waterfront in the port area of Santa Cruz, tenerife and connects the city to the ocean, creates a significant urban landmark. The concert hall features the architect’s signature wing effect – a single wing that seems to enfold the building without covering it entirely.The all-concrete building is characterized by the dramatic sweep of its roof. Rising off the base like a crashing wave, the roof soars to a height of 58 meters over the main auditorium before curving downward and narrowing to a point. The building's plinth forms a public plaza covering the site and allows for changes in grade between the different levels of the adjacent roads.
The complex contains of 6,741 m² auditorium and administrative building with a public plaza and parking below. The auditorium includes two concert venues. The main hall seats 1,800 with features a stage area 14 m deep and a proscenium 15 m high. There is also a chamber music hall with seating for 400 . Wide arches, spanning 50 meters on each side, serve as the artists' entrance. The main public access to the auditorium is placed on the raised plaza to the northeast, beneath the curved and sculpted concrete shell of the roof. Although administrative and service areas and the central auditorium are air-conditioned, public foyers and circulation areas profit from the island's pleasant climate; as it is naturally ventilated airflow through the glazed areas beneath and between the building's concrete shells.
DESIGN AND CONSTRUCTION:
Wing Construction
The overhanging wing was prefabricated in Seville and shipped to the island in 17 pieces, the largest weighing 60 tons (54,000 kilograms). They were similar to components more commonly used in bridges. The wing was lifted into place by a specially made crane from Valencia, which has a capacity of 2,400 tons (two million kilograms).
The wing was designed to be supported on only five points. Once in place, it was filled with white concrete made locally from a combination of river sand brought from the Spanish peninsula and the coarser Tenerife sand. In all, 2000 tons (1.8 million kilograms) of concrete went into the building.
During construction, temporary ramparts supported the workers as they fastened triangular sheets of glass onto a hall ceiling. At the height of construction, there were four 150-foot- (45-meter-) high cranes and four 33-foot- (10-meter-) high cranes in operation.
Hall Interiors
The smaller hall, ideal for chamber music, has seating for an audience of 410; the larger symphonic hall seats 1668. The original design for the symphonic stage was expanded to include 22-square-foot (2-square-meter) modules that are individually movable by a hydraulic system.
The symphony hall has a "variable" acoustic system. Surface materials are solid pressed wood covered with fiberglass. This assembly has "windows" that open and close, exposing either the fiberglass material or the wood, depending on the acoustical requirements of the event. The back walls of the chamber music hall are covered with horizontal wood slats, with fiberglass behind them.
The two performance halls are equipped with air-conditioning outlets below the seats. Cool air comes up from spaces below, eliminating the need for HVAC installations that would disturb the clean lines of the halls. The two halls are separated by a shared, open lobby that creates an acoustical separation so events can be held simultaneously in both.
After the building's official opening in September, 2003, events already scheduled are as diverse as Handel's opera Julius Caesar and the International Water Association Conference. In time, the building itself may become an event, bringing architectural sightseers to Tenerife.






